Showing posts with label Bookish. Show all posts
Showing posts with label Bookish. Show all posts

Saturday, March 28, 2015

Cover Reveal of RESONANCE

Well, here it is. the cover of Resonance, Book 2 of 4 in the Recovery Series.
A secret I can't contain any longer!

Image © Mike Andrews Photography
Release Date: January 1, 2016
Pages: ~530

Description: Belvun is dying, but recovery efforts to save the planet are well under way. In the meantime, General Orcher chooses Arman Lance to restructure the archives program in the hope of creating the Undil Embassy's first comprehensive planetary database. This sends Arman on a greater journey than he could have hoped, first traveling to Orvad, Undil's city by the ocean, then on to Daliona, the oceanic world rich with culture, nature, technologies, and sports he's only ever dreamed of.

On this new journey, Arman will challenge himself in ways he never imagined and begin to make friends he never thought he'd have. And as he learns what it really means to devote your life to the Embassy, Arman will experience the strength, diversity, and resilience of humankind.

You can grab a copy of Embassy on Amazon and all other major online retailers, and add Embassy to your Goodreads shelf!

Also, be sure to add Resonance to your Goodreads shelf.

Tuesday, February 17, 2015

We Cannot Be Content

So I've begun a side project, which will become my main focus once I finished editing Resonance. The new book is called We Cannot Be Content and stems from some of the history in Embassy and Resonance (in fact, they mention it a lot in Resonance).

I wrote the first chapter a couple weeks ago, and have been adding to and tweaking it since, so here's the final version I've come up with for now.

--------------------

ONE
BENEDICT – 2305, Earth

He didn’t like giving interviews. He preferred to write his own questions and answer them without the pressure of a live interviewer and audience. Posting an insightful video on Wander Enterprises’ site would do, or even a FAQ section. Both alternatives were more appealing than his current situation, staring at himself on the small monitor hanging below the camera that was focused on him and Johna Radizzo for their one-on-one interview.
The man working the camera raised his hand and counted down from five—
And we’re live.”
“Welcome back to Today in the Plaza,” Johna immediately said, turning her hips more toward the camera to open her stance. Then her voice relaxed. “Twenty years ago, we received a positive signal from the crews of the Almanac and the Endurance that they had landed safely on two exoplanets, each between six and eight light years from Earth. Scientists across the solar system lauded the mission as the greatest of humanity’s achievements since the Mars and Europa missions. Humankind had not only inhabited the solar system—it had inhabited the stars.
“Now I’m here with Dr. Benedict Drake, the current CEO of Wander Enterprises, the company responsible for those missions. We’re so glad you could join us, Dr. Drake.”
Benedict cleared his throat. “Thank you.”
“Dr. Drake,” Johna went on, shifting her posture toward him, “you are about to embark on your own tour of the exoplanets I just mentioned. You leave in two days. The question everyone wants to know is: are you scared?
He averted his eyes and attempted to laugh. “I think everyone gets scared in some way, you know, before they go on a trip of any kind. There’s always something…nagging in the back of your head.”
“Like whether or not you remembered to turn off the oven,” Johna joked.
That got a real laugh out of him. He loosened up a bit, felt some of his nerves diffuse.
“Of which I’m guilty,” he responded, even though it was a lie. He wasn’t forgetful, especially not in clumsy ways. Besides, he didn’t have an oven. He couldn’t even remember the last time he’d made his own supper, because he hadn’t in years. Either way, Benedict figured that was a good time to drop a joke. Rose told him to appear more likeable, more relatable than he tended to act. Today more than ever, Benedict needed to be liked. It was a crucial part of the plan.
“Dr. Drake, you’re thirty-three years old. You’re one of the richest people alive, you own the company some of the world’s top minds say have brought about the greatest age in space exploration humankind has ever seen—and now you decide to leave Earth for seventy-five years. You say you aren’t afraid of this intergalactic trip—”
Interstellar, Benedict thought, though he didn’t correct her.
“—but what does the future hold for Wander Enterprises while you’re gone?”
Benedict bit his lip and tried to force another grin, as if the answer was a simple one. The truth was, the future of Wander wasn’t what Benedict considered secure. Honestly, it hung in the balance, and was dependent on two factors: the trip he was about to embark on, and the hope that Rose could carry out Phase 3 in his absence. They needed public support. His fortune meant nothing if the world didn’t see the value of keeping Wander Enterprises around for at least the next five generations, and Benedict knew it would be difficult to inspire the world as it was today.
“I have my assets in place,” he said. “If… If I die during this trip… I’m confident Wander Enterprises will continue to thrive.”
But not the program he was trying to implement. Benedict knew if he met some ill fate, all his work would be for naught. Less than fifty people knew about the Gateway Program, and in two days’ time, all but a few of them were boarding the same space cruiser—the Meridian—and embarking on a trip through the stars.
“Out of curiosity: do you think you will make it back?”
He tried to be funny again. “I guess that depends on if I like these exoplanets.”
Johna laughed as if there was nothing to worry about. Of course, she’d never been to space, never flown out to Mars, or Venus, or Europa, or Titan, or any of the other settlements the Global Space Initiative had erected. In fact, the GSI was the only reason humans went beyond Mars. History proved how fickle the inspiration that drove human endeavor truly was. One great leap would be made, and people would rally around the world’s space programs proclaiming the next space age had arrived. But before long, the excitement would die, the people would forget their fragile love of the cosmos, and the world would go on, content to remain as it was.
More than anything, Benedict sought to end that contentment once and for all, but it would take more than a leap—it would take a blind lunge into the unknown.
“Yours would be the first crew to make it there and back again.”
“This is true.”
“Do you think there will be a day when we won’t need to come back to Earth? We’ve heard of plans from both Wander Enterprises and the GSI to relocate several of Earth’s species to these exoplanets. Do you think we’ll ever need to relocate humans in the same way?”
“If we have a cruiser big enough.”
They laughed together, except only Johna’s was real. Benedict faked it again, and his ended several seconds before hers, at which point he leaned forward and put his palms together.
“No, no. In all seriousness, I think that one day, yes, we’ll have to give Earth up. Some people speculate we should’ve left when we colonized Mars—however impractical the idea—and let nature reclaim Earth. We’re only borrowing it, after all.”
“Borrowing it?”
In the corner of his eye, Benedict saw the screen zoom in on his face, saw the caption scrolling under his chin: ‘Richest Man Alive is Leaving Earth. He ignored the tagline. They made him out to be some sort of celebrity, as if all his work was an overnight success, as if managing Wander Enterprises was something any kid who loved the stars could do. They overlooked the years of solitude, the painstaking work of developing faster hyper drives and crafting new cruiser designs—and it still wasn’t enough for him. Benedict was never satisfied with his work, no matter how revolutionary it was.
And that’s what drove him to organize the Gateway Program.
“There’s, what…somewhere around nine billion people alive today? Only a few thousand live elsewhere in our solar system, all of them scientists.”
Johna deliberately shrugged and faced the camera to show off her white teeth. “You’re the man with the degree, Dr. Drake,” she said with a laugh.
This time, he couldn’t even work up a smile. Anger was creeping up inside of him, boiling in his chest. He both loved humanity for its achievement, and hated it for its contentment, the plateau it reached, with only a few more small steps ever few decades. He wanted to shout at the camera. Yell at the millions of people watching his interview before their daily commutes. Stop what you’re doing and listen to me! he screamed inside his head. Have you lost your sense of wonder? Look up! We need to be out there! That’s where the challenge lies.
But he didn’t say it. His lips never moved. His eyes never so much as flickered at the camera.
“Dr. Drake, you were saying?”
“Yes.” He shook his head and looked up at Johna. “I don’t think we can call ourselves a spacefaring civilization when one hundred percent of the general population still lives on Earth. That’s like…claiming I traveled the world, when in reality I just drove down to my local Thai restaurant. Only a few humans have had a taste of the spacefaring life—why aren’t we all trying to set foot on other worlds?”
Johna looked back at the camera and raised her eyebrows in an expression of confusion mixed with curiosity.
“I’m sure there are many people wondering the same thing, Dr. Drake. We all share your dreams.”
If everyone shared my dreams, we wouldn’t be having this interview.
“Finally, we’ve all heard about MACE’s most recent rallies.”
Benedict’s muscles went rigid with hatred the moment she said the name, but Johna either didn’t notice or didn’t care. She was too busy looking down at her cue and waving her hands in the air.
“The organization has made a name for itself these last few decades, with open protests against the GSI and Wander Enterprises, causing public support of space programs to drastically decline to a historical low of thirty-eight percent—according to the latest polls. Can you tell us how you’ve gone about handling that situation?”
He began to speak, but stuttered. He hated MACE and all it stood for. The Movement Against Cosmic Exploration spanned centuries, but didn’t gain any traction until scientific settlements began popping up around the solar system. MACE sought to sway public interest away from space exploration, publishing magazines and books and airing television shows devoted to mocking astronomical discoveries and condemning space programs as worthless, flashy demonstrations to keep the people distracted from the goings-on down on Earth.
Yes, on Earth. Where half the major cities on the American seaboards were partially flooded and desert regions had expanded to the temperate zones and droughts had ruined the dryer regions. Where living in areas prone to hurricanes and tornados and wildfires was a death sentence, and natural fresh water was a memory no living person had. Where more than three hundred species of animals and plants and insects went extinct every single day.
Earth.
“We’re aware of the…opposition MACE presents,” Benedict finally answered, doing his best to keep his voice steady. He couldn’t let them hear the truth in it. “The reality of the situation is that we’re moving forward with our projects. My supervisors and I agree that MACE hasn’t…how can I put this?…fully come to terms with Earth’s current state.”
“How do you mean?”
Benedict wanted to gawk at her. Was this an interview question, or was she really asking him why he thought Earth wasn’t suitable for sustaining human life much longer?
“Political and foreign affairs aside… Consider our resources. More than half of all our mining is done on asteroids we’ve slung into orbit. Rocket fuels, construction material for cities, computer chips, cars, the hyperloops—most of these materials aren’t accessible here on Earth in quantities that were available in the past.”
“So you think MACE disagrees?”
He took a deep breath, hoping to calm his nerves.
It didn’t work.
“They don’t disagree. Not…not necessarily. They just don’t think we have any right to move beyond Earth. That the human race—the only intelligent civilization we’ve ever known—deserves to die when Earth dies.” He paused and looked at the feet of the cameraman. “That notion is… That…”
He shook his head. He knew what he wanted to say, but he couldn’t say it on a live stream. Not yet. It was too early. Too risky. Rose had warned him not to let his anger show if Johna brought up MACE. Now he saw why. Because MACE could use it. Would use it. Even now, they were watching, and they would know they had dug into him. If Benedict slipped too far, they could use his own words against the campaign Wander Enterprises would launch in the coming months, the campaign that would stretch three-quarters of a century until Benedict and the crew of the Meridian returned from their tour of the two exoplanets.
Johna shot him a glance. He barely caught it before she looked back to the camera, but it looked skeptical, unimpressed, as if she found his answer underwhelming, even crazy.
“It was certainly a pleasure speaking with you, Dr. Drake,” she went on, hardly missing a beat. “We all wish you the best of luck on your trip. We’ll see you when you get back in…well, seventy-five years.”
Benedict took a deep breath and grinned for the camera. One last joke to fix the mood.
“I’m sure you won’t have aged a day.”
Johna laughed, then introduced the next segment of the newscast before Benedict was allowed to leave. The cast director thanked him for giving the interview and ushered him to the exit so the crew could prepare. Benedict knew the way out from there, and soon found himself in NBC Studios’ lobby.
Outside was the rally.
People leered at him. They shouted, spat insults, cursed at him. They hoisted signs—DOWN WITH SPACE!DRAKE THE MISTAKEBECAUSE KILLING EARTH WASN’T ENOUGH! Someone had started a chant, and it was spreading. Part of the crowd shouted, “Earth to Drake!” and another part shouted, “Come in, Drake!” And then they’d all laugh.
Though the sentries were holding back the crowd, Benedict refused to look up. In the corners of his eyes, he saw they all had the small, symbolic canister of mace dangling from their belt loops, their wrists, their backpacks. Seeing those fueled his anger even more. He wanted to shut his ears, close his eyes. Then they could laugh, but he wouldn’t hear, and their efforts to enrage him would be childish at best. When they’d had their fun, they’d stop.
But he could hear them, and they knew it, so they were relentless.
The rally filled all of Rockefeller Plaza, even spilled into the Avenue of the Americas, though the ranks grew thin there. The throng of the crowd was the worst, but out here, Benedict saw signs supporting him and Wander Enterprises—though they were few.
“Dr. Drake.”
He looked up at the voice: a man and son stood at the corner of the block. The boy, who might’ve been nine or ten years old, gave Benedict a young, giddy smile and two thumbs up.
After he had passed, Benedict regretted not having smiled back at him.


Friday, November 21, 2014

First Draft of RESONANCE is Complete

August 26, 2014 -- November 20, 2014

86 days. 300+ hours

126,106 words

250 MS Word pages

RESONANCE is finished.


Now I know those numbers aren't impressive as my 10-day, 140-hour, 151k-word writing sprint back in January 2013 that produced the first draft of Embassy....

....but it's still pretty good.


Now I get to chill for a few weeks. Let my brain unwind. See this with fresh eyes sometime in mid-late December and tackle the beast top-to-bottom. I plan to use a different, more efficient editing method than I used to work on Embassy. Whereas I dug through Embassy front-to-back for multiple drafts, picking out every little thing every time, I'm gonna let some things slide and focus on content for the second and third drafts.

Reason being, I know of a few places where as changed my mind about things a chapter later, or I wasn't satisfied with a section, or I blatantly skimmed through a scene because I couldn't think how to develop it at the time.

But no worries! That's what revisions are for :D

I'm excited to put Resonance out in the world...sometime. I'm planning for an early 2016 release date, (holy cow it's already 2015???), so we'll see how that goes.

So while I'm working on Resonance, you should go ahead and purchase a copy of EMBASSY to prepare for the sequel!


Friday, October 24, 2014

RESONANCE Update

Just a quick update about RESONANCE, the sequel to EMBASSY.

I reached 70,000 words yesterday! Woohoo! There's anywhere between 40-50,000 left, so it's flying by :D


Remember to purchase a copy of EMBASSY 

Monday, October 13, 2014

Book Signing at Delanie's Coffee

You could say my book signing this weekend was a success! Pre-orders not included, I sold 22 copies of Embassy across the two days...a total of about 8 hours. Not bad for a little coffee shop in the Pittsburgh Southside!

I still have a few copies left over if anybody would like one. Just shoot me a message and we can arrange to get it sent out.

Here are some pictures from the signing!





If you haven't gotten a copy of Embassy yet,
you can do so HERE.


Monday, September 1, 2014

Book Signing at Delanie's Coffee in Pittsburgh

On the weekend of October 11-12, I will be selling and signing copies of my New Adult science-fiction novel, EMBASSY, as part of the grand print release event. If you're in Pittsburgh, it's only a five-minute drive from downtown, on the corner of 18th and Carson Streets in the Southside.

Live near Pittsburgh? Join the Facebook event page!
Click this: EMBASSY Book Signing

Come on out, and spread the word!

To learn more about Embassy, Click Here.

To read the latest book review about Embassy, Click Here.
To view the Kindle version of Embassy, Click Here.




Thursday, August 7, 2014

Date a Guy Who Writes

This post was inspired by the post on Tumblr: Date a Girl Who Writes.
Somebody asked me to write a guy's version, so I gave it a shot.



by S. Alex Martin

Date a guy who writes. A guy who writes is a guy who is trying to create a life. And in trying to create that life, he is trying to understand the lives of other people.

You will see him sitting in a crowded place. Leaning against a wall. Walking with his eyes pointed at the sky. A guy who writes is trying to feel the world around him, and he will do whatever it takes to put himself into that world.

If he sees you walking toward the same coffee shop as him, he’ll quicken his pace just enough to beat you to the door. He will hold it open with a quiet smile, and his eyes will linger on yours. This is his way of connecting. He doesn’t know many ways to say “hello,” and he believes the best ways are small actions.

When he sits at his table, he’ll fold his hands under his chin. His eyes will move as people pass him. He listens to every conversation, memorizes what everyone is wearing. This is what he does every day. He’s a master of observation, and if he observes you, he’ll never forget you.


A guy who writes will take you on a date in a park. He loves to be outside, and he loves being outside with someone he hopes will matter to him one day. As you walk, he’ll listen to every word you say. He’ll laugh nervously. Inside, he’s hoping he doesn’t screw anything up. And when you finally sit down, neither of you will talk for a minute. Then he’ll tell you a story. It could be anything, but it’s a story worth listening to. He has lots of stories to tell, but never has anyone to tell them to.

A guy who writes will watch you as you talk. He’ll watch what you do with your legs. He’ll notice how you shift your arms. He pays special attention to your face, watching how the words you say affect you. He’ll also listen to your voice as it mixes with other sounds. If you’re in a park, he’ll notice how your words blur into the wind. If you’re in a coffee shop, he’ll learn to distinguish your voice from a dozen others.

Every time he sees you, he will smile. Even if he’s had a bad day, he’ll smile.


Watch the sunset with him. Notice how his eyes gaze at the sky, absorbing all those colors. He’ll look at you. He won’t say this, but he’s watching how the light dances in your eyes, warms your face, and gleams in your hair. He’ll tell you he watches every sunset like it’s the first sunset he’s ever seen. He loves how the whole world stops to watch it, if even for just a second.

He has a favorite book, and he’ll share it with you. He’ll tell you the book that made him start reading, and the book that inspired him to start writing. Chances are, he’s been reading since he was a little kid, and writing since he was a teenager. But because of that, he doesn’t have many friends. If he calls you a friend, it means he will always be there when you need him, and expects the same of you.

A guy who writes will write from his heart. He’ll surprise you with poems. He’ll describe the way your hair flutters in the wind. He’ll describe what you were wearing when he first met you. He’ll write a story about an adventure he had with you. He wants to show you how unforgettable you are. He wants to show you how you changed his life.

After you read his poem, he’ll take your hand in his and hold it for a while. You’ll smile at him, and you won’t have any words to say. But he’s okay with that. He loves your smile. He loves seeing how he affects you.


Sometimes he’ll seem distant. He’ll sit and stare at nothing for a while before saying anything to you. Let him. He needs time to organize his thoughts. He doesn’t want you to think he’s angry. He’s not. It’s just that sometimes, no matter how much he smiles, he doesn’t feel as happy as he should. When he’s like this, touch his arm. Let him know you’re there. He won’t flinch. A chill will run up his spine. Then he’ll take your hand in his, and you’ll sit there together, listening, watching, and living.



When a guy who writes falls in love with you, it’s because he wants to understand why you’re falling in love with him.



Tuesday, August 5, 2014

10 Motivating Things Writers Should Do

#1. WRITE BECAUSE YOU WANT TO WRITE, NO MATTER WHAT ANYBODY ELSE SAYS

And I mean anybody. Don't let anyone get you down, not your parents, not your friends, not your teachers or that stranger on the internet who probably sits around eating cheetos on a greasy keyboard and can't spell to save his life.

No, writing is about YOU and your life and desires and story. If you have something to say, say it. Never stop. That is the most important thing I have learned. NEVER STOP.




#2. SET OBTAINABLE GOALS, AND GIVE YOURSELF ROOM FOR FLEXIBILITY

On January 1, 2013, I made a New Year's Resolution: write a book by January 14, only two weeks later.

I had personal reasons.

The point is, I met my goal. I finished when I said I would because I knew I could. I had a completed 151,000-word first draft and I couldn't ask for anything else. The feeling was amazing. I was that much closer to being done. Then I set a new goal, to finish editing the second draft by April 1st.

So I took a break, collected myself, and then got back to work. I edited and edited and edited EVERY SINGLE DAY until I was done. I know most people don't have the kind of time I do, but again, the point is to MEET THE GOAL. I actually beat my goal. I finished on March 28th.
My manuscript was reduced to 122,000 words.

Set goals. Meet goals. You will feel WONDERFUL. Completing goals is such a rewarding experience.




#3. START A BLOG AND WRITE USEFUL POSTS

I'm not trying to pat myself on the back. I'm saying blog what you learn, just as you should actively use what you learn. I write from experience. I want to help people, and that is part of what keeps me motivated. If I don't learn, I can't offer advice.




#4. FIND WRITING COMMUNITIES ON FACEBOOK AND OTHER SITES

I happened upon a Facebook page called Go Teen Writers while doing a lazy Google search one day way back in January 2013. Let me tell you something: the people there are fantastic. Everyone helps each other. You'll see comment threads with 20...30...40 comments just to talk about one specific part of writing. And everyone has become, more-or-less, friends. We'll talk about random things, like Harry Potter and what our favorite fantasy land is, and you'll see us posting pictures of our writing spaces and makeshift book covers.

Go Teen Writers is great. Jill and Stephanie do an awesome job, and are always in touch when you want to talk to them. Thank you so much for being awesome!




#5.  MAKE COVER ART, OR DRAW PICTURES FROM YOUR BOOK

What is writing, really? Writing is taking pictures in your head and describing what you, as the author, see. Writing is putting together jumbles of words and creating people and worlds that live inside you.

But words don't always have to be the only way to get those visuals out. Draw. Paint. Photoshop. Whatever you have to do, bring your world to life so other people can see it. Make a cover for your book, even if you don't end up using it. I made my cover in February, and two months later it's the cover of my proof copy and everyone who sees it gives me great feedback.

This is your story. Draw a picture and show us what you see before someone else decides to see it for you.

Eddie Utherwise (click for link)
Copypright 2011 Thomas Taylor


#6.  REVISE...REVISE...EDIT...AND GET CRITIQUED

What's the difference between "revision" and "editing?"

Okay, revision is taking your story and working with the plot, adjusting scenes, changing pace, crafting the story from the first draft...or the second draft...or however many drafts it takes to tell the story how you want it to be told. I've still got lots of work to do tweaking things here and there and making Embassy juuuust right.

Editing is stuff like grammar, punctuation, spelling, finding that missing word...your basic proofreading stuff. Pay attention, and have several pairs of eyes look at your work. Seriously, once you get past the fear of people hating what you write, you'll find that comments and suggestions are the best way of editing and revising a story, and I mean THE BEST way.

If you want to publish a book, that means you want hundreds or thousands of people to see it. So start small and get a general opinion. You'll thank yourself later. And people in writing groups love to help as long as you help them.



#7. TAKE TIME TO YOURSELF...AWAY FROM WRITING

Me? I go for long bike rides alongside Pittsburgh's three rivers. The wind and trees and ducks and geese and sights and people and the Pittsburgh skyline are wonderful. Biking, or going for walks, or sitting in the middle of Market Square lets me empty my mind and just feel at ease. I don't have to think about writing. I don't have to feel stress. I can just be.

Everyone needs a break. Do yourself a favor and do something you love besides writing. Inspiration will come from the simplest places when you aren't even looking, and stick with you when you leave.



#8. TAKE TIME TO BE WITH FRIENDS...AND DON'T TALK ABOUT YOUR WRITING

Unless, of course that's what you and your friends do. But my friends and I will play soccer, or Mario Kart, or Frisbee, or walk Downtown, or grab some coffee or a bite to eat, or watch baseball. Doing this helps you because you can experience society and interaction and guess what? That will help you write better books!



#9. READ, READ, READ, READ, READ

"But I don't have time to read if I'm writing and hanging out with friends!"

Ahem. Excuse me? I think it was Stephen King who said: "If you don't have time to read, you don't have time to write." Why do you want to write? So other people can read what you wrote, and to express yourself.

Study what works. Don't look at one book, look at many. See the various forms, line structures, elements, character interactions, dialogue sequences...everything. Adapt and create your form.

Published books are published for a reason. Successful books are read for a reason. Blockbuster books are known by millions for a reason. That author wrote something that worked.



#10. DON'T EVER BE AFRAID

Yes, this is similar to #1 and is last for reason. I want to leave you thinking: What can I do, and what could I have done? The world of writing is probably the hardest job out there. Success is NEVER guaranteed. Publication is NEVER guaranteed. Writing the next blockbuster NYT Best Seller is NEVER guaranteed. But none of that will ever happen if you don't try.

Get out there and be shameless. If you are writing, make sure people know. I tell everyone I can. Random strangers I meet at the airport, people walking Downtown, my professors, friends, friends of friends....the point is to not care. You'll write better if you know people will read it. If you hide it away all the time and don't let anyone see it, no one is going to care, EVER. It's nerve-racking, telling people you wrote a book. But once they see you've actually written one, they WILL be astounded. I speak from personal experience.


And remember, if you write because you want to, and tell people about it, you'll have readers. If you have readers, they'll help you by offering suggestions and comments. If they're helping you, you're becoming a better writer. If you're becoming a better writer, people will CONTINUE to read what you write.

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While you're at it, check out my New Adult Science-fiction novel, Embassy.

Tuesday, April 15, 2014

5 Awkward Things Writers Do (That We Can't Help)

#1. WE STARE ABSENTMINDEDLY AT PEOPLE IN CROWDED PLACES

We don't mean to be rude. We probably don't even realize we're staring at you. I can't count the number of times I've sat at a table and just let my eyes glaze over as I get lost in thought, trying to create the perfect sentence in my head.

Don't take it personally

#2. WE MUMBLE TO OURSELVES

This is often paired with staring into space or at the computer screen. You'll see our lips moving, and if you're close enough, you'll hear some awkward murmuring. When I do this, I'm usually trying to sound out a word or playing word association with myself to think of synonyms.



#3. WE GET EXCITED WHEN SOMETHING HAPPENS IN REAL LIFE THAT HAPPENS IN OUR BOOK

We also get this look of amazement. When things happen in real life that happen in our books, it blows our minds. Take me, for example. One time I was sitting in a coffee shop, drinking my coffee and eating a croissant. I looked out the window and watched a little bird hop around pecking things off the ground before flying away.

Perfectly normal...except that I describe this exact same situation in Embassy, when Arman and Captain Blitner are eating breakfast in a cafe on Belvun. Coffee, croissants, and watching a little bird out the window. It blew my mind.



#4. WE HAVE ANXIETY ATTACKS WHEN PEOPLE ASK US TO EXPLAIN OUR BOOK

We stutter. We look away. We repeat the same thing four times, and feel the need to explain it because we're afraid you don't understand what we mean. Then we get nervous because we think we're making our book sound like a yawn-fest, so we wrap it up way too fast, usually with, "And...yeah. I--it's hard to explain."

How we feel.

#5. WE DON'T WANT TO BE DISTRACTED...BUT WE DON'T WANT TO BE RUDE

We try to hide. It's the truth. When we're in the zone, we hate it when you distract us. Then we'll sit there and have a forced conversation with you for the next hour, all the while feeling worse and worse because we aren't getting any work done. There comes a point when we start looking for excuses to get back to writing....but we don't want to be rude. It's a Catch 22.

"Crap..."

Do you have anything to add to this list? Leave a comment!