Showing posts with label Get it Write Tonight. Show all posts
Showing posts with label Get it Write Tonight. Show all posts

Friday, November 21, 2014

First Draft of RESONANCE is Complete

August 26, 2014 -- November 20, 2014

86 days. 300+ hours

126,106 words

250 MS Word pages

RESONANCE is finished.


Now I know those numbers aren't impressive as my 10-day, 140-hour, 151k-word writing sprint back in January 2013 that produced the first draft of Embassy....

....but it's still pretty good.


Now I get to chill for a few weeks. Let my brain unwind. See this with fresh eyes sometime in mid-late December and tackle the beast top-to-bottom. I plan to use a different, more efficient editing method than I used to work on Embassy. Whereas I dug through Embassy front-to-back for multiple drafts, picking out every little thing every time, I'm gonna let some things slide and focus on content for the second and third drafts.

Reason being, I know of a few places where as changed my mind about things a chapter later, or I wasn't satisfied with a section, or I blatantly skimmed through a scene because I couldn't think how to develop it at the time.

But no worries! That's what revisions are for :D

I'm excited to put Resonance out in the world...sometime. I'm planning for an early 2016 release date, (holy cow it's already 2015???), so we'll see how that goes.

So while I'm working on Resonance, you should go ahead and purchase a copy of EMBASSY to prepare for the sequel!


Friday, October 24, 2014

RESONANCE Update

Just a quick update about RESONANCE, the sequel to EMBASSY.

I reached 70,000 words yesterday! Woohoo! There's anywhere between 40-50,000 left, so it's flying by :D


Remember to purchase a copy of EMBASSY 

Friday, October 10, 2014

Some Updates in My Life

I haven't posted in almost two weeks, so I wanted to give some updates going on in my life right now!

First and foremost...I have TWO book signings this weekend in Pittsburgh, right in my coffee shop where I've been hard at work blasting through the sequel to Embassy.


Speaking of the sequel, I hit 60,000 words in Resonance on Wednesday! That puts me well over the halfway mark, and I have about 50,000 words I'd still like to write. Oh, and Part 2 is the same length as Part 1....and I'm expecting at least another 25,000+ words in Part 2. So yeah, it's a loooooong section.


Last weekend, I got to see my puppydog for the first time in about two months. She was very excited, and I'm going to see her again next weekend.



Moving on....a few weeks ago, my roommates and I got two kittens, Onyx and Ollie. Onyx is a black cat, and more importantly, he's MY cat.

Taken at 1:30 a.m. on a Thursday because that's what cat people do

Last, but not least, the Baltimore Orioles are playing the Kansas City Royals today! I've been a die-hard Orioles fan since I was born, so you can imagine how exciting this is to see them sweep Detroit in the ALDS and move on to the ALCS. (Last time they were in the playoffs, the Yankees beat them 3-2 in the ALDS....and the Yankees Suck). So here's to a win against the Royals today!



If you haven't already seen, there's a giveaway going on right now on Goodreads. If you enter, you have a chance to win one of two signed copies of Embassy! (must live in the USA). That giveaway ends October 24. Details are at the top right of this page.

So yeah, that's what's been up with me lately. Life is good, I'm happy (and excited for the book signings tomorrow) and I've gotten some fan mail/sent out signed books to fans across the country! Texas, Michigan, and, believe it or not, Canada! Shout out to you!

If you haven't already, grab a copy of Embassy. It's YA/NA science-fiction. Think Star Trek mixed with John Green. Details can be found HERE.


Sunday, September 28, 2014

Milestone in "Resonance"

Last night, while writing for the 100-for-100 challenge, I blew past 50,000 words in Resonance. Now I'm three pages into Chapter 20, and the story is still in full swing.



In Chapter 20 of Embassy, the story was nearing the climax (Chapter 23) and slid to the ending in Chapter 30. But in Resonance, there's no sign of slowing down.

Part 1 of Resonance is 33,000 words long.
Part 2 of Resonance is currently 17,000 words long, and they've only just landed on Daliona (it's still the first day). At this rate, I'm projecting another 35--40,000 words before Part 2 is finished.

And I still have to write Part 3. Fortunately, I have a "rough draft" written because I'm recycling the original deleted ending of Embassy for this book.

So that's my update! Thanks everybody, and keep posted for more!


Monday, September 1, 2014

Book Signing at Delanie's Coffee in Pittsburgh

On the weekend of October 11-12, I will be selling and signing copies of my New Adult science-fiction novel, EMBASSY, as part of the grand print release event. If you're in Pittsburgh, it's only a five-minute drive from downtown, on the corner of 18th and Carson Streets in the Southside.

Live near Pittsburgh? Join the Facebook event page!
Click this: EMBASSY Book Signing

Come on out, and spread the word!

To learn more about Embassy, Click Here.

To read the latest book review about Embassy, Click Here.
To view the Kindle version of Embassy, Click Here.




Monday, August 18, 2014

A Simple Introduction to Plot Structure

It's Monday, so, as promised, I'll try to get my posts back on schedule. I've been busy moving back permanently to Pittsburgh, so that's why I took a short break from writing advice posts (these take a long time to put together, as many of you probably know).

Let's get to it, shall we?

You are walking down the street when all of a sudden BAM!! It hits you: Inspiration. You rush home, keeping the idea fresh in your head, throw open the door, grab the nearest piece of paper and a pen, and jot down your great idea. Breathing a sigh of relief you sit back and look at your genius. There's your character, the setting, and.....what? You reread the page. What's going on? It was so good, but now you realize nothing has happened at all. Something is missing.

One word: plot.

Your characters don't have anything to keep them occupied. They are standing there looking at each other saying: "Okay....what's the point?"

How do you form a plot? What are the necessary elements? Why don't people want to read about the life of your characters, and be done with it?

There's no true point to the story. Readers don't want to watch your character live and die, unless that character is an awesome action hero who spends his days cleaning up the world of evil and fighting awesome battles. Even then, that might become dull.

There has to be a point to the story, and people want to know what that is as soon as possible. The opening paragraphs (which I'll talk about in a later post) need to hook your reader and tell them why they are reading the book. Why should they care about your character's story? Why should they take interest in your novel?

A true plot is essential. The first few scenes should establish the main goal of your hero. Follow these six basic points:

  • What does he want?
  • Why does he want it?
  • Who or what stands in his way?
  • How will he reach his goal?
  • What will happen if he reaches his goal?
  • What will happen if he doesn't?

If you keep saying that word
It stops sounding like a real word.
In the opening scenes, try to at least explain points #1 and #2. Maybe you can fit some of the other points in there, but the first two are crucial. They tell us which direction the story will go in.

The reader wants to know the destination. Once they know What and Why, they have a reason to continue the story, just like your main character will have a reason to move toward the goal. They have something to root for. They can take a journey with the character and experience the same pitfalls and high moments the character has. Show readers "Point B," and the satisfaction of the journey will come with the rest of the novel. Once you tell the reader where they're going, they'll follow all the instructions -- the subplots, romance, and journeys -- without hesitation. When they reach the goal, they'll decide if it was worth working for.



It's okay if you get a few pages written before you make up your mind as to what the main characters want. But make sure you do it fast, or your readers will keep asking: "What is the point of this?" and you'll lose them before the meat of the story starts. Make sure the goal is something interesting. It doesn't have to be obtainable, it doesn't even have to be real, per se. Maybe the hero seeks a rumored magical sword that can save the kingdom, but, as he finds out, it isn't real at all.

Then what's the point of the journey? The journey should change the character. The hero seeking the sword should discover the strength and courage inside him that will allow him to defeat the enemy threatening the kingdom.

Throw in a villain. Make him hurt the hero. Make him force the hero to make a choice he doesn't want to. Bend the boundaries. Snap his values. Cause pain. Make readers feel it in their hearts.



That's the true meaning of plot. Put your characters through heaven and hell. Have their worst nightmares claw at them and their brightest fantasies elate their spirits. Do it for the sake of change. Keep that change realistic. A man doesn't simply become a knight because he finds a magic sword. He learns a new set of strengths and values and morals, grows more intelligent, and devises a plan that will lead him to victory. Things happen to him that change his perspective in life. That is the point of plot. Don't leave your character the same as he started.

Make the reader care that the character changed. Do we feel sympathy? Is he stronger or weaker? Has he lost friends and loved ones? What did the journey do mentally or emotionally to the character? What was the price he paid to obtain his goal - or not?

That's what plot is all about -- a series of events, leading toward the established goal, that create a complex character built up from his/her experiences on the way to that goal. Whether s/he reaches that goal, or not, is completely up to the writer.

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Also be sure to check out my Get it Write Tonight ebooks, Characters and Edit! That! Book!

While you're at it, check out my New Adult Science-fiction novel, Embassy.

Saturday, August 16, 2014

Regular Posts to Resume Monday

Sorry I've been gone for the past week, everybody. I've been busy moving into my new apartment and moving my sister into college (funny enough, she ended up going to school right down the street from me in Pittsburgh!)

I'll get back to my usual scheduled posts at the beginning of next week, and I'll keep them going as long as I can before school gets in the way. Then I'll drop to 2-3 posts a week.

Thank you for your patience. I've received a lot of emails and comments thanking me for the posts and blog, so I hope to keep this up as long as I can.

In the meantime, Embassy's grand print release will be October 10, 2014! Excited for that, and getting all the arrangements made for the release party. If you're in Pittsburgh then, you should come! Details coming in the next few weeks.


Thursday, August 14, 2014

EMBASSY: A Refreshing Journey

This is a new ARC review Embassy received on Amazon yesterday. It's really in-depth, so I got permission to post it here.

Embassy will be available in print on October 10, 2014.

Review by Melissa J. Troutman
Author of Trust and Deception.

 


Embassy is not a science fiction adventure novel. Rather, it is a science fiction journey novel, perhaps the first of its kind I have ever read. I started it expecting aliens, laser gunfights, and spaceship battles. You know, like Stars Wars, or the new Star Trek, or the rest of science fiction that’s out there.

It took me until 80% through the book to realize there would be no aliens, no gunfights, no battles. Instead, Embassy follows the quieter, internal journey of a young man named Arman Lance and his dreams of finding the only person who will make him happy after his father’s death.

I enjoyed Embassy. I was hooked from the beginning, wanting to see if Arman would make it into Undil’s Embassy Program. Subsequent intrigue kept me in the story, such as whether he would find Ladia, what would happen to Belvun and its spreading desert, and if Arman would be happy again.

These hooks were well placed, because Arman as a character didn’t grab me. He starts the book quiet, antisocial, and too focused on his one goal of finding Ladia. Not much to like. Yet he was real: coping with the unexpected loss of his father, burdened to provide for his mother and sisters, driven to find the girl he loved, and anxious to get away from home. A typical young man. I haven’t read many books told from the male perspective, but I thought Arman’s character and voice were accurate to real life. Points for that.

The universe was also accurate. My thanks to the author for portraying the zero gravity between planet and spaceship, for mentioning the gravity simulators on the ship, and for having his characters throw up after their first space journeys. (Gross, I know, but realistic.) Points for that.

Even the science fiction part of the universe was realistic. I’m leery of reading sci-fi and fantasy because I tend to get lost in other people’s imaginations. S. Alex Martin, however, did an excellent job building his world. Though I didn’t fully grasp everything the first read through—I never do—I was struck by how neat his planets, politics, and technology were. He obviously thought through his world-building, and it shows. Points for that.

I didn’t find the writing itself to be anything stellar. But I don’t think that’s a bad thing. When a book is written in first person, the narrative is the voice of the main character. If Arman were a writer, I would expect flowery prose and stunning descriptions and breathtaking turns of phrase. Maybe. :) Since he is not a writer, however, the simpler writing style is fine. It suits his character. (Note: I thought the present tense to be handled well. I don’t usually like reading present tense, but Embassy’s style read comfortably.)

Final notes: the turn of events both surprised and pleased me. As a reader, I enjoy surprises. Points for the satisfying ending and the unexpected way there. Also, I found Embassy’s storyline refreshingly unique: the main character doesn’t have to save the world, nor does his athletic female friend have to call upon her skills to “kick butt.” Embassy was like a breath of fresh air in that respect. I give points for that too. And it was a clean read. I think there was only one d-word in the whole book.

One part at the end did disappoint me, though. Arman sleeps with his girlfriend, and that bothered me. I had hoped for a book without that kind of thing. But in this regard, Embassy is just like the rest of the YA fiction out there. Points removed for that.

Overall, Embassy is the unique journey of a young man who is teachable and respectful, who comes to admire his old coworker and appreciate his young friend, who starts quiet and unhappy but ends quiet and appreciative. This book shows great character transformation. It also reminds readers that seclusion damages rather than helps, and that there is healing in reaching out and opening up.

Yes, I enjoyed reading Embassy. Yes, I would recommend it to the right friends. And yes, I would read S. Alex Martin’s next book.


FIND EMBASSY ON AMAZON ($2.99) AND GOODREADS.

Wednesday, August 6, 2014

Is it Necessary to Sexualize Characters in YA Fiction?


Over the last couple days I've seen some comments on Tumblr and elsewhere around the writing world regarding character descriptions. One comment that sticks out in my mind says something along the lines of, "Why do we have to be told if characters are hot or ugly?"

I don't remember the specific details of this person's comment (I've tried finding them again, but with no success), but they went on to say stuff like, "Authors feel the need to say nerdy girls aren't as attractive as popular girls," and "the bad boys are always hot, but the good guys are always geeky and gross." At the end of their comment, they said, "I wish we weren't told how attractive characters are, but just describe what they look like and we'll decide from there."

Let's be honest. Not all authors are guilty of this...but there's something to be said about popular books, particularly books that appeal to teen girls -- and women in general. This could also explain why there are nearly twice as many girls who read than boys.

Think about the last book you read? Chances are, if the main character was a female, there's plenty of description about how hot a guy she meets is, or how sexy Brad-the-football-captain is. You know, descriptions about his arms, chest, legs, and even face. If they hold hands or touch at any point, the FMC probably talks about how firm, yet gentle his grip is.

I'm right, aren't I?

Now let's think about male narrators. (Male narrators? That's an outrage! We need strong female main characters!) Moving on...in my experience reading books like An Abundance of Katherines, 13 Reasons Why, It's Kind of a Funny Story, and a few others, we're told how cute this one girl is, how hot this other girl is, how big this girl's breasts are, how plump this girls lips are...the list goes on and on.

Point is: both genders are guilty of sexualization.



I bet you haven't seen WordArt since the 5th grade.


Let's think about the comments I mentioned above. Why is there a tendency for describe what makes a character attractive? Simple: it should make the character appeal to readers. But think about it: unless you're writing 50 Shades of Gray, is it really necessary to know how hot or ugly a character is? Does it have to be explicitly said, "He's soooo hot, and his muscular biceps are soooo dreamy." (As you can tell, I don't write erotica). Going further, is it necessary to say, "She has the perkiest boobs I've ever seen."

You can argue that these kinds of descriptions are necessary to characterize the main character, that these kinds of thoughts go through people's heads all the time. You'd be right. These thoughts do go through people's heads.

Stay with me.

When it comes to YA fiction, there's a fine line between what's okay, and what's not okay. But in order to determine those, we have to draw a distinct line between contemporary YA fiction and genre YA fiction. I'm defining genre YA fiction as fantasy, science-fiction, paranormal, magical realism, etc etc.





Contemporary YA Fiction
Ex. The Fault in Our Stars, 13 Reasons Why, If I Stay, Fangirl, It's Kind of a Funny Story, The Perks of Being a Wallflower, Looking for Alaska, Eleanor & Park

I think it's easy to say contemporary YA has the longest leash when it comes to sexually explicit material and descriptions. These are stories about realistic teenagers living teenager lives, doing teenager things and thinking teenager thoughts. Thus, we're going to see a lot of description about how hot girls are, how muscular guys are, how sensitive guys are, how soft a girl's breasts are...

You get my point.

This genre of YA...this style of writing can get away with that. It's gritty. It's realistic. The readers can immediately relate to the characters because they act like normal teenagers. Perhaps you've even been to the town the character lives in, like the same books, adore the same celebrities. That's the point of contemporary YA: to show you're not alone, and to explore issues revolving around what being a teenager is like.

In my opinion, the sexualization presented in contemporary YA books is okay and normal. Don't go overboard, but if a teenager can think it, it will show up.





Genre YA Fiction
Ex. Divergent, The Hunger Games, Harry Potter, Eragon, City of Bones, The Maze Runner, Twilight, Matched, Delirium

This is where the line gets drawn. We have to define what is and isn't appropriate for books in these genres. It's a dangerous line that authors must cross carefully.

When it comes to genre fiction, readers aren't coming into the book expecting to read a girl's love life in Small Town, USA. We want an adventure. We want action. We want run-down cities and exotic planets. We want cool guns and serums and magic and death and zombies and monsters and vampires (well, we're getting bored of that).

The point is, we want to escape into a world we can only imagine that will eventually look good on the big screen.

Inevitably, there's a romance brewing in these books. And inevitably, we get to see one character's intimate thoughts about another character. The author, however, has to be careful. Remember, most of us didn't come here for the gushy-gushy makeout session. Most of us are strictly focused on the plot, and we're analyzing how everything that affects the plot.

So when the girl meets the hot guy, we don't want to be bombarded with physical descriptions about the attractiveness of said guy -- usually. It's okay to toss them in there. But remember: in genre fiction, plot is essential.




I recently read a book where the main character -- a girl -- met a literal beast of a man, and all she talked about from there-on-out was how golden his skin was and how wavy his hair was and how warm his chest was, and how big...well...use your imagination.

Uuuuuuugggggghhhhhhh.

Now, maybe it's just because I'm a guy and I don't care about how hot that dream-guy was. But when those physical descriptions started taking over, I started losing interest. Descriptions about how hot this dude was were on every. Other. Page. It took me out of the story, and I ended up glossing through the rest.

Let's return to the original comment at the top of this post: "I wish we weren't told how attractive characters are, but just describe what they look like and we'll decide from there."

I, for one, agree with this statement -- but really only for genre fiction. Contemporary can go do whatever it wants. But whether I'm reading a dystopian novel, a paranormal novel, or a speculative fiction novel, I don't care how hot that girl is or how muscular that guy is, and I think a lot of people feel the same way.

We want to read about the world and events and figure out how the characters will overcome the problems. So create that world, ignite those problems, and develop those characters. Don't give us cardboard cut-outs. Give us human beings (or whatever species your characters are).

Here's a tip: tell us what the characters look like. Hair color, height, if they wear glasses, if they stutter. But don't go to Build-a-Hunk™ and start explaining how hot and sexual this character is. We, as readers, don't want to see your late-night bedroom fantasies.

It's creepy.


Yes, even creepier than Bronies.
So should authors keep it simple? Should genre YA fiction be limited more toward unique traits and features, rather than a fictional Hot-or-Not? Let me know what you think in the comments. Personally, it's okay to toss in a pinch of spice, but don't make it too hot.



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Also be sure to check out my Get it Write Tonight ebooks, Characters and Edit! That! Book!
While you're at it, check out my New Adult Science-fiction novel, Embassy.

Books in a Series

Pretty much sums it up


Tuesday, August 5, 2014

10 Motivating Things Writers Should Do

#1. WRITE BECAUSE YOU WANT TO WRITE, NO MATTER WHAT ANYBODY ELSE SAYS

And I mean anybody. Don't let anyone get you down, not your parents, not your friends, not your teachers or that stranger on the internet who probably sits around eating cheetos on a greasy keyboard and can't spell to save his life.

No, writing is about YOU and your life and desires and story. If you have something to say, say it. Never stop. That is the most important thing I have learned. NEVER STOP.




#2. SET OBTAINABLE GOALS, AND GIVE YOURSELF ROOM FOR FLEXIBILITY

On January 1, 2013, I made a New Year's Resolution: write a book by January 14, only two weeks later.

I had personal reasons.

The point is, I met my goal. I finished when I said I would because I knew I could. I had a completed 151,000-word first draft and I couldn't ask for anything else. The feeling was amazing. I was that much closer to being done. Then I set a new goal, to finish editing the second draft by April 1st.

So I took a break, collected myself, and then got back to work. I edited and edited and edited EVERY SINGLE DAY until I was done. I know most people don't have the kind of time I do, but again, the point is to MEET THE GOAL. I actually beat my goal. I finished on March 28th.
My manuscript was reduced to 122,000 words.

Set goals. Meet goals. You will feel WONDERFUL. Completing goals is such a rewarding experience.




#3. START A BLOG AND WRITE USEFUL POSTS

I'm not trying to pat myself on the back. I'm saying blog what you learn, just as you should actively use what you learn. I write from experience. I want to help people, and that is part of what keeps me motivated. If I don't learn, I can't offer advice.




#4. FIND WRITING COMMUNITIES ON FACEBOOK AND OTHER SITES

I happened upon a Facebook page called Go Teen Writers while doing a lazy Google search one day way back in January 2013. Let me tell you something: the people there are fantastic. Everyone helps each other. You'll see comment threads with 20...30...40 comments just to talk about one specific part of writing. And everyone has become, more-or-less, friends. We'll talk about random things, like Harry Potter and what our favorite fantasy land is, and you'll see us posting pictures of our writing spaces and makeshift book covers.

Go Teen Writers is great. Jill and Stephanie do an awesome job, and are always in touch when you want to talk to them. Thank you so much for being awesome!




#5.  MAKE COVER ART, OR DRAW PICTURES FROM YOUR BOOK

What is writing, really? Writing is taking pictures in your head and describing what you, as the author, see. Writing is putting together jumbles of words and creating people and worlds that live inside you.

But words don't always have to be the only way to get those visuals out. Draw. Paint. Photoshop. Whatever you have to do, bring your world to life so other people can see it. Make a cover for your book, even if you don't end up using it. I made my cover in February, and two months later it's the cover of my proof copy and everyone who sees it gives me great feedback.

This is your story. Draw a picture and show us what you see before someone else decides to see it for you.

Eddie Utherwise (click for link)
Copypright 2011 Thomas Taylor


#6.  REVISE...REVISE...EDIT...AND GET CRITIQUED

What's the difference between "revision" and "editing?"

Okay, revision is taking your story and working with the plot, adjusting scenes, changing pace, crafting the story from the first draft...or the second draft...or however many drafts it takes to tell the story how you want it to be told. I've still got lots of work to do tweaking things here and there and making Embassy juuuust right.

Editing is stuff like grammar, punctuation, spelling, finding that missing word...your basic proofreading stuff. Pay attention, and have several pairs of eyes look at your work. Seriously, once you get past the fear of people hating what you write, you'll find that comments and suggestions are the best way of editing and revising a story, and I mean THE BEST way.

If you want to publish a book, that means you want hundreds or thousands of people to see it. So start small and get a general opinion. You'll thank yourself later. And people in writing groups love to help as long as you help them.



#7. TAKE TIME TO YOURSELF...AWAY FROM WRITING

Me? I go for long bike rides alongside Pittsburgh's three rivers. The wind and trees and ducks and geese and sights and people and the Pittsburgh skyline are wonderful. Biking, or going for walks, or sitting in the middle of Market Square lets me empty my mind and just feel at ease. I don't have to think about writing. I don't have to feel stress. I can just be.

Everyone needs a break. Do yourself a favor and do something you love besides writing. Inspiration will come from the simplest places when you aren't even looking, and stick with you when you leave.



#8. TAKE TIME TO BE WITH FRIENDS...AND DON'T TALK ABOUT YOUR WRITING

Unless, of course that's what you and your friends do. But my friends and I will play soccer, or Mario Kart, or Frisbee, or walk Downtown, or grab some coffee or a bite to eat, or watch baseball. Doing this helps you because you can experience society and interaction and guess what? That will help you write better books!



#9. READ, READ, READ, READ, READ

"But I don't have time to read if I'm writing and hanging out with friends!"

Ahem. Excuse me? I think it was Stephen King who said: "If you don't have time to read, you don't have time to write." Why do you want to write? So other people can read what you wrote, and to express yourself.

Study what works. Don't look at one book, look at many. See the various forms, line structures, elements, character interactions, dialogue sequences...everything. Adapt and create your form.

Published books are published for a reason. Successful books are read for a reason. Blockbuster books are known by millions for a reason. That author wrote something that worked.



#10. DON'T EVER BE AFRAID

Yes, this is similar to #1 and is last for reason. I want to leave you thinking: What can I do, and what could I have done? The world of writing is probably the hardest job out there. Success is NEVER guaranteed. Publication is NEVER guaranteed. Writing the next blockbuster NYT Best Seller is NEVER guaranteed. But none of that will ever happen if you don't try.

Get out there and be shameless. If you are writing, make sure people know. I tell everyone I can. Random strangers I meet at the airport, people walking Downtown, my professors, friends, friends of friends....the point is to not care. You'll write better if you know people will read it. If you hide it away all the time and don't let anyone see it, no one is going to care, EVER. It's nerve-racking, telling people you wrote a book. But once they see you've actually written one, they WILL be astounded. I speak from personal experience.


And remember, if you write because you want to, and tell people about it, you'll have readers. If you have readers, they'll help you by offering suggestions and comments. If they're helping you, you're becoming a better writer. If you're becoming a better writer, people will CONTINUE to read what you write.

Follow me on FacebookTwitterTumblr, and Pinterest.

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Also be sure to check out my Get it Write Tonight ebooks, Characters and Edit! That! Book!
While you're at it, check out my New Adult Science-fiction novel, Embassy.