Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

Monday, June 8, 2015

BOOK REVIEW: Elon Musk - Tesla, SpaceX, and the Quest for a Fantastic Future

Summary from Inside Flap: There are few industrialists in history who could match Elon Musk's relentless drive and ingenious vision. A modern alloy of Thomas Edison, Henry Ford, Howard Hughes, and Steve Jobs, Musk is the man behind PayPal, Tesla Motors, SpaceX, and SolarCity, each of which has sent shock waves throughout American business and industry. More than any other executive today, Musk has dedicated his energies and his own vast fortune to inventing a future that is as rich and far-reaching as a science fiction fantasy.

In this lively, investigative account, veteran technology journalist Ashlee Vance offers an unprecedented look into the remarkable life and times of Silicon Valley's most audacious businessman. Written with exclusive access to Musk, his family, and his friends, the book traces his journey from his difficult upbringing in South Africa to his ascent to the pinnacle of the global business world. Vance spent more than fifty hours in conversation with Musk and inter- viewed close to three hundred people to tell the tumultuous stories of Musk's world-changing companies and to paint a portrait of a complex man who has renewed American industry and sparked new levels of innovation--all while making plenty of enemies along the way.

In 1992, Elon Musk arrived in the United States as a ferociously driven immigrant bent on realizing his wildest dreams. Since then, Musk's roller-coaster life has brought him grave disappointments alongside massive successes. After being forced out of PayPal, fending off a life-threatening case of malaria, and dealing with the death of his infant son, Musk abandoned Silicon Valley for Los Angeles. He spent the next few years baffling his friends by blowing his entire fortune on rocket ships and electric cars. Cut to 2012, however, and Musk had mounted one of the greatest resurrections in business history: Tesla, SpaceX, and SolarCity had enjoyed unparalleled success, and Musk's net worth soared to more than $5 billion.

At a time when many American companies are more interested in chasing easy money than in taking bold risks on radical new technology, Musk stands out as the only businessman with enough dynamism and vision to tackle--and even revolutionize--three industries at once. Vance makes the case that Musk's success heralds a return to the original ambition and invention that made America an economic and intellectual powerhouse. Elon Musk is a brilliant, penetrating examination of what Musk's career means for a technology industry undergoing dramatic change and offers a taste of what could be an incredible century ahead.

RATING



When I walked into Barnes & Noble two weeks ago, I wasn't actually looking to purchase a book. Usually, I go in, browse for 30 minutes, and get out. But when I walked around to the Physics and Science section, the first thing I saw was Elon Musk's face.

Inevitably, I picked it up and began reading.

2 pages in, I decided I was in this for the long haul and sat on the floor, right there in the middle of the store. 15 pages in, my friends finally found me and forced me to leave. But I couldn't part with this. I needed this book. Those first 15 pages captured me like so few books do (in fact, only one book in the past year has totally stolen my attention like this).

So I bought Elon Musk feeling on top of the world and excited to keep reading.

I travel a lot between Pittsburgh and Harrisburg, PA, so, since I'm in the middle of taking classes in Pittsburgh, I swore to only read this book on the bus, because I knew once I picked it up again, I wouldn't put down.

I was right.

The next day, I got on the bus, got to reading, and tuned out the world. Three hours later, I was nearly halfway through -- and WOW. Vance's writing style flowed right through my mind. No clunky sentences, no jarring phrases. It's such an easy book to read, despite the complex nature of the contents.

Elon Musk, if you don't know, is a biography. Yes, a biography. You'd expect the case-study of someone's life to be boring and uneventful, dragging until the very end.

This wasn't the case at all.

Vance opens the book at an interview with Elon Musk himself. The first line, a quote from Musk, "Do you think I'm insane?", perfectly captures the whole context of the biography. Because as you experience the story, as you see the challenges Musk went through to reach the pinnacle he's at today, the question nags at you. Musk isn't soft-spoken, or easy on his employees, or a man who kicks his legs up on his desk and snoozes while his companies mill around him. Vance shows how Musk is both the CEO and an employee of his companies, simultaneously the teacher and student. He gets in the work, asks all the right questions, gives all the right orders. His vision is THE vision, and if you get in the way, Musk has been known to fire you on the spot.

Musk breaks every convention, every tradition, every standard. Vance takes you deep into the details, from Musk's childhood and lineage in South Africa, all the way to Canada and the United States, where the bulk of the story unfolds.

When Musk looks at big businesses, he sees unmovable behemoths that refuse to change their methodologies. American innovation became a thing of the past. Technology and industry was growing - but nowhere near as fast as it should. So we follow Musk's journey from his small start-ups, Zip2 and X.com, and move into his larger, more permanent ventures, namely SpaceX, Tesla, and SolarCity.

I myself am a huge fan of Elon Musk. Still, until the past year or two, I only thought of him as "that guy who made SpaceX" and "that guy who runs Tesla." Until reading this book, I never knew the struggle -- no, the hell he went through to make and keep these companies. You think, oh, he just has a lot of money.

Yeah, now he does. But did you know SpaceX and Tesla were hours away from going bankrupt? Did you know that the Falcon 1 rocket kept failing, and one more failed launch literally meant the end of SpaceX? Did you know SpaceX tested these rockets on an island in the middle of the Pacific Ocean, and would fix problems they encountered in a matter of days, as compared to months by standard companies?

This book is the first time Musk has explicitly let anyone interview him for a biography. Aside from a few questionable quotes that have been publicly denounced by Musk after the publication of this book, we're still given a tremendous amount of insight into his head and how he runs the companies. Vance interviewed more than 300 people and spent over two years compiling this account. And I have to give credit to how up-to-date the information is. There are several events Vance mentions that occurred into 2015, such as the first landing attempt of Falcon 9 on the sea barge, which took place in January, and he refers to the second attempt as being in a couple weeks, which means that Vance included this information on a very tight deadline, probably mid-March (the second landing attempt happened on April 14, 2015).

I want to congratulate you, Mr. Vance. Well done. Very well done. I'm going to reread this book in a few weeks (probably after the scheduled June 19th third Falcon 9 landing attempt, this time on solid ground, as opposed to a barge). Anyone who wants a ridiculously thorough insight into Elon Musk's life and companies should read this book. It had me from Page 1 all the way to Page 363, and even the appendices that come after.

This is an incredibly inspiring book, a important look into a game-changing business strategy, and a valuable lesson to the world. As Musk says, "If something is important enough, even if the odds are against you, you should still do it."


Purchase

Sunday, December 28, 2014

Reading the First Chapter of Embassy

I'm trying something new out, and step one of that trying something new was to read the first chapter of Embassy for you all, for free, on YouTube! It starts exactly one minute in. You'll get to hear all of my pronunciations and what not.

So without further ado...enjoy!



As always, go ahead and purchase your own copy! Ebooks are $2.99 and paperbacks are $12.50-ish.

Friday, November 21, 2014

First Draft of RESONANCE is Complete

August 26, 2014 -- November 20, 2014

86 days. 300+ hours

126,106 words

250 MS Word pages

RESONANCE is finished.


Now I know those numbers aren't impressive as my 10-day, 140-hour, 151k-word writing sprint back in January 2013 that produced the first draft of Embassy....

....but it's still pretty good.


Now I get to chill for a few weeks. Let my brain unwind. See this with fresh eyes sometime in mid-late December and tackle the beast top-to-bottom. I plan to use a different, more efficient editing method than I used to work on Embassy. Whereas I dug through Embassy front-to-back for multiple drafts, picking out every little thing every time, I'm gonna let some things slide and focus on content for the second and third drafts.

Reason being, I know of a few places where as changed my mind about things a chapter later, or I wasn't satisfied with a section, or I blatantly skimmed through a scene because I couldn't think how to develop it at the time.

But no worries! That's what revisions are for :D

I'm excited to put Resonance out in the world...sometime. I'm planning for an early 2016 release date, (holy cow it's already 2015???), so we'll see how that goes.

So while I'm working on Resonance, you should go ahead and purchase a copy of EMBASSY to prepare for the sequel!


Wednesday, August 6, 2014

Is it Necessary to Sexualize Characters in YA Fiction?


Over the last couple days I've seen some comments on Tumblr and elsewhere around the writing world regarding character descriptions. One comment that sticks out in my mind says something along the lines of, "Why do we have to be told if characters are hot or ugly?"

I don't remember the specific details of this person's comment (I've tried finding them again, but with no success), but they went on to say stuff like, "Authors feel the need to say nerdy girls aren't as attractive as popular girls," and "the bad boys are always hot, but the good guys are always geeky and gross." At the end of their comment, they said, "I wish we weren't told how attractive characters are, but just describe what they look like and we'll decide from there."

Let's be honest. Not all authors are guilty of this...but there's something to be said about popular books, particularly books that appeal to teen girls -- and women in general. This could also explain why there are nearly twice as many girls who read than boys.

Think about the last book you read? Chances are, if the main character was a female, there's plenty of description about how hot a guy she meets is, or how sexy Brad-the-football-captain is. You know, descriptions about his arms, chest, legs, and even face. If they hold hands or touch at any point, the FMC probably talks about how firm, yet gentle his grip is.

I'm right, aren't I?

Now let's think about male narrators. (Male narrators? That's an outrage! We need strong female main characters!) Moving on...in my experience reading books like An Abundance of Katherines, 13 Reasons Why, It's Kind of a Funny Story, and a few others, we're told how cute this one girl is, how hot this other girl is, how big this girl's breasts are, how plump this girls lips are...the list goes on and on.

Point is: both genders are guilty of sexualization.



I bet you haven't seen WordArt since the 5th grade.


Let's think about the comments I mentioned above. Why is there a tendency for describe what makes a character attractive? Simple: it should make the character appeal to readers. But think about it: unless you're writing 50 Shades of Gray, is it really necessary to know how hot or ugly a character is? Does it have to be explicitly said, "He's soooo hot, and his muscular biceps are soooo dreamy." (As you can tell, I don't write erotica). Going further, is it necessary to say, "She has the perkiest boobs I've ever seen."

You can argue that these kinds of descriptions are necessary to characterize the main character, that these kinds of thoughts go through people's heads all the time. You'd be right. These thoughts do go through people's heads.

Stay with me.

When it comes to YA fiction, there's a fine line between what's okay, and what's not okay. But in order to determine those, we have to draw a distinct line between contemporary YA fiction and genre YA fiction. I'm defining genre YA fiction as fantasy, science-fiction, paranormal, magical realism, etc etc.





Contemporary YA Fiction
Ex. The Fault in Our Stars, 13 Reasons Why, If I Stay, Fangirl, It's Kind of a Funny Story, The Perks of Being a Wallflower, Looking for Alaska, Eleanor & Park

I think it's easy to say contemporary YA has the longest leash when it comes to sexually explicit material and descriptions. These are stories about realistic teenagers living teenager lives, doing teenager things and thinking teenager thoughts. Thus, we're going to see a lot of description about how hot girls are, how muscular guys are, how sensitive guys are, how soft a girl's breasts are...

You get my point.

This genre of YA...this style of writing can get away with that. It's gritty. It's realistic. The readers can immediately relate to the characters because they act like normal teenagers. Perhaps you've even been to the town the character lives in, like the same books, adore the same celebrities. That's the point of contemporary YA: to show you're not alone, and to explore issues revolving around what being a teenager is like.

In my opinion, the sexualization presented in contemporary YA books is okay and normal. Don't go overboard, but if a teenager can think it, it will show up.





Genre YA Fiction
Ex. Divergent, The Hunger Games, Harry Potter, Eragon, City of Bones, The Maze Runner, Twilight, Matched, Delirium

This is where the line gets drawn. We have to define what is and isn't appropriate for books in these genres. It's a dangerous line that authors must cross carefully.

When it comes to genre fiction, readers aren't coming into the book expecting to read a girl's love life in Small Town, USA. We want an adventure. We want action. We want run-down cities and exotic planets. We want cool guns and serums and magic and death and zombies and monsters and vampires (well, we're getting bored of that).

The point is, we want to escape into a world we can only imagine that will eventually look good on the big screen.

Inevitably, there's a romance brewing in these books. And inevitably, we get to see one character's intimate thoughts about another character. The author, however, has to be careful. Remember, most of us didn't come here for the gushy-gushy makeout session. Most of us are strictly focused on the plot, and we're analyzing how everything that affects the plot.

So when the girl meets the hot guy, we don't want to be bombarded with physical descriptions about the attractiveness of said guy -- usually. It's okay to toss them in there. But remember: in genre fiction, plot is essential.




I recently read a book where the main character -- a girl -- met a literal beast of a man, and all she talked about from there-on-out was how golden his skin was and how wavy his hair was and how warm his chest was, and how big...well...use your imagination.

Uuuuuuugggggghhhhhhh.

Now, maybe it's just because I'm a guy and I don't care about how hot that dream-guy was. But when those physical descriptions started taking over, I started losing interest. Descriptions about how hot this dude was were on every. Other. Page. It took me out of the story, and I ended up glossing through the rest.

Let's return to the original comment at the top of this post: "I wish we weren't told how attractive characters are, but just describe what they look like and we'll decide from there."

I, for one, agree with this statement -- but really only for genre fiction. Contemporary can go do whatever it wants. But whether I'm reading a dystopian novel, a paranormal novel, or a speculative fiction novel, I don't care how hot that girl is or how muscular that guy is, and I think a lot of people feel the same way.

We want to read about the world and events and figure out how the characters will overcome the problems. So create that world, ignite those problems, and develop those characters. Don't give us cardboard cut-outs. Give us human beings (or whatever species your characters are).

Here's a tip: tell us what the characters look like. Hair color, height, if they wear glasses, if they stutter. But don't go to Build-a-Hunk™ and start explaining how hot and sexual this character is. We, as readers, don't want to see your late-night bedroom fantasies.

It's creepy.


Yes, even creepier than Bronies.
So should authors keep it simple? Should genre YA fiction be limited more toward unique traits and features, rather than a fictional Hot-or-Not? Let me know what you think in the comments. Personally, it's okay to toss in a pinch of spice, but don't make it too hot.



Follow me on Facebook, Twitter, Tumblr, and Pinterest.

Subscribe to Get it Write Tonight!
Scroll to top of page in right sidebar.

Enjoy this post? Check out these others:


Also be sure to check out my Get it Write Tonight ebooks, Characters and Edit! That! Book!
While you're at it, check out my New Adult Science-fiction novel, Embassy.

Tuesday, August 5, 2014

10 Motivating Things Writers Should Do

#1. WRITE BECAUSE YOU WANT TO WRITE, NO MATTER WHAT ANYBODY ELSE SAYS

And I mean anybody. Don't let anyone get you down, not your parents, not your friends, not your teachers or that stranger on the internet who probably sits around eating cheetos on a greasy keyboard and can't spell to save his life.

No, writing is about YOU and your life and desires and story. If you have something to say, say it. Never stop. That is the most important thing I have learned. NEVER STOP.




#2. SET OBTAINABLE GOALS, AND GIVE YOURSELF ROOM FOR FLEXIBILITY

On January 1, 2013, I made a New Year's Resolution: write a book by January 14, only two weeks later.

I had personal reasons.

The point is, I met my goal. I finished when I said I would because I knew I could. I had a completed 151,000-word first draft and I couldn't ask for anything else. The feeling was amazing. I was that much closer to being done. Then I set a new goal, to finish editing the second draft by April 1st.

So I took a break, collected myself, and then got back to work. I edited and edited and edited EVERY SINGLE DAY until I was done. I know most people don't have the kind of time I do, but again, the point is to MEET THE GOAL. I actually beat my goal. I finished on March 28th.
My manuscript was reduced to 122,000 words.

Set goals. Meet goals. You will feel WONDERFUL. Completing goals is such a rewarding experience.




#3. START A BLOG AND WRITE USEFUL POSTS

I'm not trying to pat myself on the back. I'm saying blog what you learn, just as you should actively use what you learn. I write from experience. I want to help people, and that is part of what keeps me motivated. If I don't learn, I can't offer advice.




#4. FIND WRITING COMMUNITIES ON FACEBOOK AND OTHER SITES

I happened upon a Facebook page called Go Teen Writers while doing a lazy Google search one day way back in January 2013. Let me tell you something: the people there are fantastic. Everyone helps each other. You'll see comment threads with 20...30...40 comments just to talk about one specific part of writing. And everyone has become, more-or-less, friends. We'll talk about random things, like Harry Potter and what our favorite fantasy land is, and you'll see us posting pictures of our writing spaces and makeshift book covers.

Go Teen Writers is great. Jill and Stephanie do an awesome job, and are always in touch when you want to talk to them. Thank you so much for being awesome!




#5.  MAKE COVER ART, OR DRAW PICTURES FROM YOUR BOOK

What is writing, really? Writing is taking pictures in your head and describing what you, as the author, see. Writing is putting together jumbles of words and creating people and worlds that live inside you.

But words don't always have to be the only way to get those visuals out. Draw. Paint. Photoshop. Whatever you have to do, bring your world to life so other people can see it. Make a cover for your book, even if you don't end up using it. I made my cover in February, and two months later it's the cover of my proof copy and everyone who sees it gives me great feedback.

This is your story. Draw a picture and show us what you see before someone else decides to see it for you.

Eddie Utherwise (click for link)
Copypright 2011 Thomas Taylor


#6.  REVISE...REVISE...EDIT...AND GET CRITIQUED

What's the difference between "revision" and "editing?"

Okay, revision is taking your story and working with the plot, adjusting scenes, changing pace, crafting the story from the first draft...or the second draft...or however many drafts it takes to tell the story how you want it to be told. I've still got lots of work to do tweaking things here and there and making Embassy juuuust right.

Editing is stuff like grammar, punctuation, spelling, finding that missing word...your basic proofreading stuff. Pay attention, and have several pairs of eyes look at your work. Seriously, once you get past the fear of people hating what you write, you'll find that comments and suggestions are the best way of editing and revising a story, and I mean THE BEST way.

If you want to publish a book, that means you want hundreds or thousands of people to see it. So start small and get a general opinion. You'll thank yourself later. And people in writing groups love to help as long as you help them.



#7. TAKE TIME TO YOURSELF...AWAY FROM WRITING

Me? I go for long bike rides alongside Pittsburgh's three rivers. The wind and trees and ducks and geese and sights and people and the Pittsburgh skyline are wonderful. Biking, or going for walks, or sitting in the middle of Market Square lets me empty my mind and just feel at ease. I don't have to think about writing. I don't have to feel stress. I can just be.

Everyone needs a break. Do yourself a favor and do something you love besides writing. Inspiration will come from the simplest places when you aren't even looking, and stick with you when you leave.



#8. TAKE TIME TO BE WITH FRIENDS...AND DON'T TALK ABOUT YOUR WRITING

Unless, of course that's what you and your friends do. But my friends and I will play soccer, or Mario Kart, or Frisbee, or walk Downtown, or grab some coffee or a bite to eat, or watch baseball. Doing this helps you because you can experience society and interaction and guess what? That will help you write better books!



#9. READ, READ, READ, READ, READ

"But I don't have time to read if I'm writing and hanging out with friends!"

Ahem. Excuse me? I think it was Stephen King who said: "If you don't have time to read, you don't have time to write." Why do you want to write? So other people can read what you wrote, and to express yourself.

Study what works. Don't look at one book, look at many. See the various forms, line structures, elements, character interactions, dialogue sequences...everything. Adapt and create your form.

Published books are published for a reason. Successful books are read for a reason. Blockbuster books are known by millions for a reason. That author wrote something that worked.



#10. DON'T EVER BE AFRAID

Yes, this is similar to #1 and is last for reason. I want to leave you thinking: What can I do, and what could I have done? The world of writing is probably the hardest job out there. Success is NEVER guaranteed. Publication is NEVER guaranteed. Writing the next blockbuster NYT Best Seller is NEVER guaranteed. But none of that will ever happen if you don't try.

Get out there and be shameless. If you are writing, make sure people know. I tell everyone I can. Random strangers I meet at the airport, people walking Downtown, my professors, friends, friends of friends....the point is to not care. You'll write better if you know people will read it. If you hide it away all the time and don't let anyone see it, no one is going to care, EVER. It's nerve-racking, telling people you wrote a book. But once they see you've actually written one, they WILL be astounded. I speak from personal experience.


And remember, if you write because you want to, and tell people about it, you'll have readers. If you have readers, they'll help you by offering suggestions and comments. If they're helping you, you're becoming a better writer. If you're becoming a better writer, people will CONTINUE to read what you write.

Follow me on Facebook, Twitter, Tumblr, and Pinterest.

Subscribe to Get it Write Tonight!
Scroll to top of page in right sidebar.

Enjoy this post? Check out these others:


Also be sure to check out my Get it Write Tonight ebooks, Characters and Edit! That! Book!
While you're at it, check out my New Adult Science-fiction novel, Embassy.

Friday, July 25, 2014

How to Create a Vile Villain

They are some of the most hated characters in stories...and some of the most loved.

They are evil.

They are flawed.

They are plotters.

They are the villains.


As you can see, he has all the makings of a villain.

But what makes a good villain? Who is he? Why is he in the world? What point does he serve?

This post is all about the forces that drive stories forward. As I like to say, "If the antagonist isn't important, then the protagonist isn't, either."


Tip #1. CHOOSE THE FORM OF THE BAD GUY THAT WOULD HURT YOUR HERO THE MOST

Antagonists come in all different forms. Some are a single villain, some are a group of people, and some are abstract ideas that originate in the mind, or circumstances and obstacles the hero must endure.

Villains aren't always people. They don't have to be. An antagonist opposes the hero, so maybe the hero must fight fantastical beasts, or survive a set of physical challenges. Maybe the hero is emotionally suffering with guilt, unrequitted love, or a moral dilemma that tears him or her apart from the inside.

Presentation of the conflict is crucial.

It doesn't have to be another person.

Tip #2. MAKE THE READER CARE THAT THE VILLAIN HURTS THEIR FAVORITE CHARACTER

Readers should connect to somebody in the story. Maybe the hero, maybe the hero's best friend, or teacher, or even the villain. Whoever the reader connects to the most, make them suffer.

Take a look at the last book you read. Notice how the villain might hurt the hero, but it has an effect on everyone else, too. The hero isn't the only one who suffers. Make people care that the villain hurt someone. Maybe readers love the villain and are awed by his power and opposition.

Make that count. Drive it home using emotion. Play the heartstrings of the reader, and they'll love your characters forever.



Tip #3. MAKE THE VILLAIN MEMORABLE

He has to stick in our minds. We have to know WHY he hurts the hero, HOW he hurts him, and WHAT he expects to gain from doing so. Maybe the hero is trying to foil a master plan, so the villain needs to get rid of him in order to rule the world. Maybe the hero is trying to be elected into office, so the villain tries to prevent that from happening so a law doesn't get passed.

Anything. Make it interesting, make it exciting, and make it resonate with the overall story. When it comes to books, we remember characters who gave us butterflies, made us feel sick, or made us angry. Or we felt like they were a close friend and could relate.

If a character can achieve a physical response in our bodies, we will never forget them.



Tip #4. GIVE THE VILLAIN A BACKSTORY

Unless you are making a movie for Marvel Comics, you should know that most villains don't just pop up out of the blue. They have existed elsewhere. You can see how they have shaped the world. There are lasting effects that every character stuffs up in the back of his mind.

Voldemort didn't just come out and attack the Ministry of Magic and Hogwarts - he was a major influence in the whole wizarding community for his entire life. From the orphanage, to his years at Hogwarts, to the construction of the Horcruxes and the First War against Dumbledore and the Order of the Phoenix. Voldemort had a presence the entire time, even when he wasn't physically there.

You want most villains to be like that. If nothing else, they should have some relevance to the hero's life and how the hero has shaped himself.



Tip #5. READERS LIKE LOGIC....AND SO SHOULD YOU

I have read one too many stories where a character suddenly becomes the bad guy because his friend accidentally killed another friend, or the girl he loves doesn't like him, so he turns into a supervillain with a vengeance against her boyfriend...who just so happens to be a superhero.

Come on people. Really? No, seriously, really? Was it so devastating that he just had to go off on a murderous streak?

No, and readers know this. They don't want to read some cheesy inciting incident - they want to see the villain develop, or at least understand how he developed. This builds a mutual trust between reader and author, makes characters more believable, and thus makes readers LIKE the story.

If villains like the Green Goblin, Doc Oc, Whiplash (Iron Man 2), and Sandman popped up all the time, NYC would be screwed. At least Loki had a plan. Unfortunately, it included the fatal flaw of many villains these days....



Tip #6. IF YOUR VILLAIN WAGES WAR, PLEASE, PLEASE DON'T LET THEM HAVE A "REMOTE CONTROL" ARMY

What does this mean? Let me tell you. In "The Avengers," the fatal flaw was that the whole army turned out to be robotic and by destroying the mothership, the army shut down and the six people fighting aliens miraculously won. Or like in "Battle: Los Angeles," (a movie I personally loved), the drones were powered by the control beacons and LA was saved when Harvey Dent shot a missile at the retreating mothership.

I'm just saying, while these make for cool action sequences, please try not to include that unless robots are literally taking over the world. We as readers don't like seeing something end so easily (if you've read "Inheritance," by Christopher Paolini, you'll agree that King Galbatorix TOTALLY would have won that fight instead of acting like a little girl. Shruikan didn't even try to help).

What am I trying to say? MAKE YOUR VILLAIN STRONG!!! But not invincible.



Tip #7. GIVE YOUR VILLAIN A FATAL FLAW THAT THE HERO MUST DISCOVER

Why are Voldemort's horcruxes so awesome? Because nobody knew they existed. Not even the readers, until the sixth book. Then we found out that three had already been destroyed, one of which we watched get destroyed and had no idea the significance until later.

GENIUS!!! Do that. Surprise the reader. Surprise the characters. Force them to discover the villain's weakness, or a way to fight him.

Everybody is different. Be creative! And if your antagonist is inside the hero's head, have him fight himself. Show us his torture and how he affects everything around him until he is able to reconcile with himself. Self-discovery and inner-conflicts make excellent storylines. Just be sure to wrap it up inside something else, and you're well on your way.


The villain of the story should fascinate us. Make readers fear, admire, or be shocked by him. Give readers a reason to care that the villain is hurting the hero. Give the readers a story why the villain is hurting the hero. People don't want the cheesy stuff. Show them that this guy could hurt them. Create that feeling and people will ask for the sequel.


Check out the follow-up post: How to Create a Magnificent Main Character

Follow me on Facebook, Twitter, Tumblr, and Pinterest.

Enjoy this post? Check out these others: